THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Creative Power
of the Absolute Sound-Substance


 
By vir­tue of the in­flu­ence of the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te sound-sub­stance, the mirage world of rela­tive mu­si­cal evo­lu­tion un­folds be­fore the men­tal eye of the mu­sic knower out of the in­fi­nite mu­si­cal force-field of the har­mony – al­though the ab­so­lu­te mu­sic in the in­fi­nite force-field of the har­mony re­mains what it is by na­ture: com­pletely un­changed.
Yet one af­ter an­other, rela­tive tone crea­tions stream forth from it in a per­ma­nent, crea­tive flow of thought.

 
The Hour of Birth of the Relative Tone Creations
Thus, the in­ti­mate in­sight into the in­fi­nite mu­si­cal force-field of the har­mony re­veals to the crea­tive mu­sic lis­tener his true re­la­tion with him­self.
And by look­ing from the level of his pure self-con­scious­ness out into the worlds of the rela­tive mu­si­cal proc­ess, he also dis­cov­ers his true crea­tive re­la­tion­ship to his fel­low men by seeing him­self, in the se­quence-spaces, as the fa­ther of mu­sic.

 
The Great Musical Awakening
Look­ing with the eyes of the se­quences into the motif-spaces, he sees his crea­tive re­la­tion­ship to his vari­ous neighbours by per­ceiv­ing him­self as the ele­men­tal mother of all be­ings.
And fi­nally, look­ing out from the har­mony, he per­ceives him­self as the ele­men­tal fa­ther of all be­ings.

 
Per­ceiv­ing the ab­so­lu­te sound-sub­stance al­lows the crea­tive mu­sic lis­tener to gain in­sight into the in­fi­nite mu­si­cal force-field of the har­mony.
Here, he per­ceives him­self as the per­fect crea­tor of mu­sic who li­ves, re­leased from space and time, in the ab­so­lu­te mu­si­cal world of the har­mony and who pro­duces rela­tive mu­si­cal crea­tions from this per­fect mu­si­cal force-field.

 
Insight into the Infinite Musical Force-Field of the Harmony
Un­der the same in­flu­ence of that cos­mic vi­bra­tion of the ab­so­lu­te sound-sub­stance, the new­born sound crea­tor knows him­self a cos­mic soul in the in­fi­nite force-field of the har­mony.
But also he per­ceives him­self em­bod­ied in the se­quence-spaces – in the sum of the in­di­vid­ual souls pic­tured there – and per­ceives him­self em­bod­ied in the motif-spaces, in each of the in­di­vid­ual souls rep­re­sented there.

 
The Music Creator Merges with His Creation
In the ab­so­lu­te mu­si­cal world of the har­mony the mu­si­cal pres­en­ta­tion of life is so per­fect that it can­not be com­pre­hended by the av­er­age hu­man in­tel­li­gence of the mu­sic lis­tener in the rela­tive.
To gain per­sonal in­sight into the in­fi­nite force-field of the har­mony, there­fore, it is a pre­req­ui­site that the per­cep­tual abil­ity of the lis­tener be raised to a higher level.

 
The Perfect Musical Presentation of Life
In or­der to behold the in­fi­nite force-field of the har­mony and to per­ceive the in­fi­nite flow of mu­sic which streams there eter­nally, the per­sonal ex­peri­ence of the lis­tener must take place on the level of the fol­low­ing quali­ties:

 
Beyond Average Human Intelligence