THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


The Art of Not Being Bound in Music


 
Af­ter hav­ing ad­vanced into the in­fi­nite force-field of the har­mony by per­ceiv­ing the ab­so­lu­te sound-sub­stance, the lis­tener rec­og­nizes this ab­so­lu­te mu­si­cal world as not at all bound to the rela­tive mu­si­cal proc­ess.
On the other hand, he iden­ti­fies the rela­tive mu­si­cal proc­ess as be­ing bound to the ab­so­lu­te force-field of the har­mony.

 
The Free, Independent, Absolute Musical World of the Harmony
At the same time, how­ever, he sees him­self free from the outer lim­ited mu­si­cal sphere of ex­peri­ence in the rela­tive field of mu­sic.

 
This cos­mic free­dom the crea­tive mu­sic lis­tener pre­serves through his continu­ous, clear per­cep­tion of the ab­so­lu­te sound-sub­stance.
And in his tools of cog­ni­tion – on the level of his pure self-aware­ness, in the field of his in­tel­lect, in feel­ing and un­der­stand­ing, in the sound-sub­stance of his mind, in his sense of hear­ing, and more­over, even in his neu­ro­physi­ol­ogy – he sus­tains this per­fect per­cep­tion in a six­fold man­ner.

 
The Listener’s Cosmic Freedom from Limited Experience of Music