THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


The Perfect Musical Description


 
More­over, the spo­ken word of mu­sic of­fers the most di­rect method to sys­tem­ati­cally de­scribe the ele­ments of the sub­jec­tive sphere, as well as to por­tray the proc­ess of evo­lu­tion in gen­eral.
In this con­text the lan­guage of mu­sic de­scribes in­di­vid­ual evo­lu­tion and, based on that, so­cial evo­lu­tion, and fi­nally, as the outer shell of in­di­vid­ual and so­cial evo­lu­tion, eco­logi­cal evo­lu­tion.
And all of this is de­scribed by mu­sic not only in an dif­fer­en­ti­ated iso­lated man­ner, but in an in­te­grated and com­pletely uni­fied way as well.

 
Range and Function of the Spoken Word of Music
Mu­sic not only de­scribes on a level where time and space are sepa­rated, but also in terms of space-time in­te­gra­tion; and more­over, even be­yond space and time – on the ab­so­lu­te level of un­bounded space and on the ab­so­lu­te level of in­fi­nite time.

 
Absolute and Relative Levels of Description in Music
In the natu­ral, re­al­is­tic, exact mu­si­cal de­scrip­tion of the re­al­ity of life, sub­jec­tiv­ity and ob­jec­tiv­ity are not ir­rec­on­cil­able; ob­jec­tiv­ity is rather per­ceived and por­trayed as the outer pe­riph­ery of life.

 
Integration of Subjectivity and Objectivity
Thus, at the out­er­most pe­riph­ery of the mu­si­cal sound-space, mu­sic de­scribes the ob­jec­tive sphere of na­ture as the out­er­most bor­der of the sub­jec­tive.

 
The Musical Description of the Objective Sphere of Music