THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


Control over the Sense of Hearing


 
In the case of out­wardly lis­ten­ing to mu­sic, shape-giv­ing fac­ul­ties of our neu­ro­physi­ol­ogy pro­ject the outer re­al­ity of the re­sound­ing mu­si­cal per­form­ance onto the sur­face of our mind; through that, the sur­face of our mind as­sumes the struc­ture of the sound­ing com­po­si­tion, thus pro­duc­ing the in­ner re­flec­tion of the outer mu­si­cal re­al­ity.
This is the em­piri­cal method of know­ing re­al­ity in mu­sic as we mu­sic lis­ten­ers prac­tise it.

 
The Empirical Method of Knowing Reality in Music
When we per­ceive the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te sound-sub­stance si­mul­ta­ne­ously, this cos­mic vi­bra­tion also en­ters our sense of hear­ing and raises it to a state of cos­mic per­cep­tion.
Now we are able to feel our mind, which func­tions with in­fi­nite flexi­bil­ity, and to draw from it the per­fect mu­si­cal ex­peri­ence in the ab­so­lu­te mu­si­cal force-field of the har­mony.

 
Perceiving the Absolute Tone-substance in the Sense of Hearing
By in­ces­santly in­fus­ing our sense of hear­ing with the per­fect fun­da­men­tal vi­bra­tion of the ab­so­lu­te sound-sub­stance and by per­ceiv­ing it there all the time, we gain cos­mic con­trol over our sense of hear­ing.

 
The Sense of Hearing in a State of Cosmic Perception