THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
NATURAL
MUSIC HEARING


OUVERTURE
CONVEYING TRUTH IN MUSIC


TEIL I
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC


TEIL II
THE LOGIC OF THE MUSICAL FIELDS OF COGNITION


TEIL III
IMMORTAL AND MORTAL TRADITION OF MUSIC


TEIL IV
THE LIVING EXAMPLE OF THE MUSICAL COGNITION OF TRUTH


TEIL V
THE THREE GREAT STEPS OF THE MUSICAL PROCESS OF GAINING KNOWLEDGE


TEIL VI
THE SYSTEM OF INTELLECTUAL DISCUSSION IN MUSIC


TEIL VII
ERRORS IN GAINING KNOWLEDGE IN MUSIC


TEIL VIII
EQUIVOCATION


TEIL IX
THE SECRET OF MUSIC


TEIL X
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC


TEIL XI
INDIRECT AND DIRECT GAINING KNOWLEDGE IN MUSIC


TEIL XII
THE PATH OF KNOWLEDGE AND THE GOAL OF TRUTH


Music and Nature


 
The re­al­ity of na­ture pre­sents it­self to us on dif­fer­ent lev­els of dif­fer­ent com­plex­ity, of vary­ing dif­fer­en­tia­tion, and of dif­fer­ent in­teg­rity: of dif­fer­ent ef­fec­tive­ness.

 
Conveying Truth in Music
Mu­sic ex­pres­ses these lev­els of na­ture – sub­jec­tive as well as ob­jec­tive, in­di­vid­ual as well as so­cial or eco­logi­cal – on sepa­rate, dif­fer­ent lev­els of the mu­si­cal ex­pres­sion.

 
Cor­re­spond­ing to na­ture, mu­sic uses fields of vary­ing den­sity.

 
This means, mu­sic has lev­els of vary­ing dif­fer­en­tia­tion, vary­ing in­teg­rity, vary­ing com­plex­ity and vary­ing ef­fec­tive­ness.

 
Natural Order in Music
These lev­els of mu­si­cal ex­pres­sion we call the “mu­si­cal force-fields,” and they in­clude the force-fields of the tones, of the mo­tifs, of the melo­dies, of the se­quences, and of the har­mony.

 
The Musical Force-Fields