THE CLASSICAL COMPOSER AND MUSICOLOGIST PETER HÜBNER
on his International Project of the INTEGRATION OF SCIENCES & ARTS
 
 

NATURAL
MUSIC CREATION


OUVERTURE
THE IMMORTAL ENCHANTED REALM OF THE QUEEN OF MUSIC


TEIL I
THE PROCESS OF CREATING MUSIC


TEIL II
THE CLASSICAL TEACHING SCOPE OF MUSIC


TEIL III
THE INNER MECHANICS OF CREATING MUSIC


TEIL IV
DIDACTICS OF MUSIC


TEIL V
THE FORCE-FIELDS IN MUSIC


TEIL VI
THE PURPOSE OF MUSIC TRADITION


TEIL VII
SPACE AND TIME IN MUSIC


TEIL VIII
THE PHYSICS OF MUSIC


TEIL IX
THE SYSTEMS OF ORDER IN MUSIC


TEIL X
SCIENTIFIC FUNDAMENTALS OF MUSIC AESTHETICS


TEIL XI
THE SCIENCE OF MUSIC


TEIL XII
MUSIC AND SPEECH


The Relationship of Rhythm and Tonality


 
In the mu­si­cal sound-space, time is ex­pres­sed through the rhythm, and space through the to­nal­ity. In clas­si­cal com­po­si­tion, to­nal­ity and rhythm merge so in­ti­mately that one can hardly iden­tify them in­di­vidu­ally.

 
Rhythm in Music
When, from within, time guides the rhythm from in­fin­ity to in­fin­ity, while space guides the to­nal­ity from un­bound­ed­ness to un­bound­ed­ness, har­mony emerges in its per­fect form.

 
As men­tioned ear­lier, har­mony un­folds it­self in a two­fold man­ner: in space and in time.
The uni­ver­sal di­ver­sity con­tained in the har­mony ap­pears as the rich­ness of the mu­si­cal event and re­veals it­self in space and time.

 
Rhythmical and Tonal Unfoldment of the Infinite Harmony
The uni­ver­sal­ity of clas­si­cal com­po­si­tion lies hid­den in the in­ter­play of the un­bound­ed­ness of space with the in­fin­ity of time – in their in­te­gra­tion, in that state where space and time are merged with each other, where the outer mu­si­cal form, gov­erned by space and time, is trans­formed be­fore us lis­ten­ers into the in­ner beauty of mu­sic, into the in­fi­nite di­ver­sity at the basis of space and time.

 
Unlimited Rhythmical Multiplicity and Infinite Tonality
Un­der­stand­ing this fact is the key to the con­scious re­ali­za­tion of the genu­ine mu­si­cal truth, of the re­al­ity of in­fi­nite mul­ti­plic­ity of life in im­mor­tal­ity – be­yond space and time on the level of unity.

 
The Almighty Key to Music
Here lies the key to be­com­ing aware of the ab­stract, mani­fold basis of even that mu­sic which sounds in the con­cert halls.